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Nobli
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14855.  Elküldve:
2009-12-18 16:43:51 |
[101.] |
Azért ottan az autogram-osztogatáskor ott lettem volna.
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[előzmény: (14854) tihanyiattila, 2009-12-18 16:31:10]
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| 14715. Elküldve:
2009-12-12 23:06:11 |
[103.] |
The Score: December 15th 2009 everywhere
(www.avatarscore.com)
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[válaszok erre: #14729]
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[előzmény: (14712) Leon24, 2009-12-12 22:20:29]
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| 14714. Elküldve:
2009-12-12 22:45:53 |
[104.] |
A Note About the Avatar Score From The Director
Our goal in making Avatar was to transport you to another world, not just a planet in another star system, but
the primeval world that has existed in our dreams since before our history began. To watch Avatar, especially
in 3D. is to dream lucidly, with your eyes wide open. The music had to match the images with its own power to transport us to a world of powerful emotions. It had to reach deep into our hearts, to allow us not only to see but to feel. The Na'vi say "no one can teach you to See," by which they mean that understanding must
come from within. The music is our key to the emotional understanding of this film.
James Horner knew when he took on the scoring of Avatar that it would be the challenge of a lifetime. He would need to reach deep within himself, to explore musical ideas he had dreamed of for many years. He knew that the fate of the movie rested on his shoulders, and his ability to take us to the exultant highs and
heartbreaking lows of Jake Sully's epic journey. The music is both classic in its orchestral power, but also connects us to the soul of the Na'vi through the use of indigenous rhythms and vocals. The raw intimacy of the human voice is unequalled in creating the heartbreak of Hometree's destruction. These aching solo vocals give way to the might of low strings and superb high brass writing, as the orchestra sweeps us into battle, and
through the tumult of defeat and ultimate salvation.
When I listen to the score, it brings tears to my eyes as I visualize the gathering of the clans, the mighty armies riding to battle, the charge of the direhorses, then the fall of the heroes, and Jake's final desperate struggle to save the alien woman he loves and the world he has come to call home. And despite the awe and majesty in James' music in these scenes, it is the scenes in which Jake learns to fly that, to me, are the heart of
the film. And James' music for those flight scenes combines with the images to create a magical moment of
pure cinema, in which the heart and imagination take flight.
Bravo James and thank you. Your music is the heartbeat and spirit of the world of Avatar.
A Note About the Avatar Score From The Composer
AVATAR has been one of the most challenging projects I've ever been involved with, and I have never worked so
closely with a group of musicians as I did on this film. My usual writing process is a very solitary experience, with the music being realized for the first time on the recording stage. On Avatar, synth programmers Aaron Martin, Ian Underwood and Simon Franglen, music editors Jim Henrikson and Dick Bernstein, my recording mixer Simon Rhodes and I spent the past year mocking up and editing the music as I'd write and orchestrate it each day. This allowed us to give Jim Cameron a facsimile of what my music sounded like against his film as the score developed. And this unique process enabled me to explore musical ideas that were both exotic and "other-worldly" as well as orchestral and conventional.
From the bottom of my heart, I'd like to thank these wonderful musicians. Each of them worked tirelessly and
selflessly to help me realize my musical ideas, even as the picture evolved on a day-to-day basis and I constantly
needed to re-write music to conform to newly edited scenes. I could never have accomplished creating and producing almost 3 hours of music without their unique and astonishing talents.
To Simon Franglen - I will never be able to thank you enough for your invaluable work on this score and your incredible
collaboration on our song "I See You".
To Jim Henrikson and Simon Rhodes - we have worked on so many films in so many ways but never before like this. I
consider you both my indispensible brothers, and it is an honor to have worked with two men of such consummate professionalism, so quiet in what you do and yet so brilliant.
To the wonderful orchestrators and musicians, music contractor Peter Rotter, and to Bob Bornstein and his
ultra-accurate copying staff, I humbly say thank you, thank you all.
Special thanks also to the Fox Music Department - to Robert Kraft, who so spectacularly rose to the occasion and was so instrumental in keeping our precious song on the radar... and to Mike Knobloch and Rebecca Morellato
for their help and support throughout a difficult and challenging project. You always looked after my guys and me, and
for that I am so very grateful.
Thanks also to the always gregarious and cheerful Jon Landau, who was a complete gentleman during the entire
process and who, as producer, may have had the hardest job on the whole film!
Finally, I must thank Jim Cameron. Working on your film has been an amazing experience. You and I were way out on the "creaking tree limbs", but as you once told me, that's the only place a consummate filmmaker should be. It's
been a privilege and an honor working with you on something that surely will be a historic moment in storytelling
through cinema.
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Tagság: 2008-01-27 15:59:16
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Tagság: 2008-01-27 15:59:16
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Tagság: 2008-01-27 15:59:16
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Tagság: 2008-01-27 15:59:16
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| 14511. Elküldve:
2009-12-05 07:02:25 |
[110.] |
http://www.hitfix.com/blogs/2008-12-6-the-beat-goes-on/posts/listen-leona-lewis-s-avatar-theme-i-see-you
http://www.popeater.com/2009/12/04/leona-lewis-avatar-theme-i-see-you/
  
I see you
Walking through a dream, I see you
My light and darkness breathing hope of new life
Now I live through you and you through me, enchanted
I pray in my heart that this dream never ends
I see me through your eyes
Breathing new life, flying high
Your love shines the way into paradise
So I offer my life as a sacrifice
I live through your love
You teach me how to see all thats beautiful
My senses touch your world I never pictured
Now I give my hope to you, I surrender
I pray in my heart that this world never ends
I see me through your eyes
Breathing new life, flying high
Your love shines the way into paradise
So I offer my life
I offer my love for you
And my heart was never open
And my spirit never free
To the world that you have shown me
But my eyes could not envision
All the colours of love and of life evermore,
Evermore
I see me through your eyes
Breathing new life, flying high
Your love shines the way into paradise
So I offer my life as a sacrifice
I live through your love
I live through your love
I see you
I see you
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| 14467. Elküldve:
2009-11-30 08:05:10 |
[114.] |
http://bit.ly/69Buin
James Horner: 'Scoring Avatar has been the most difficult job I've done'
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[válaszok erre: #14468]
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| 14462. Elküldve:
2009-11-28 16:53:45 |
[116.] |
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[előzmény: (14456) Bíró Zsolt, 2009-11-28 10:43:44]
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| 14455. Elküldve:
2009-11-28 10:39:27 |
[117.] |
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[előzmény: (14452) Feared, 2009-11-28 09:16:36]
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| 14387. Elküldve:
2009-11-25 09:52:23 |
[120.] |
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[előzmény: (14386) Feared, 2009-11-25 07:35:36]
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| 14383. Elküldve:
2009-11-24 19:26:54 |
[122.] |
"Zengő fényország..."
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[előzmény: (14381) Feared, 2009-11-24 18:25:49]
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